Showing posts with label Hammer Films. Show all posts
Showing posts with label Hammer Films. Show all posts

11.8.11

Hammer Thursday: Captain Kronos, Vampire Hunter!

Two young girls go frolicking in the forest, but when one goes to get some flowers to braid in the other's hair, a stranger approaches. Hypnotized, the blond girl drops her mirror and takes to the hooded figure like a long-lost friend. When the other girl returns, she stands transfixed in terror. The town doctor rides along on his horse and spots the two of them. Coming closer, he realizes the blond girl is now old--prematurely old! Who could have done this? Moreover, how and why?

If that dramatic introduction doesn't entice you to read on, then I'm plumb out of reasons for you to continue. This entry is the first in what I hope to make a regular series. Since today is named after the Norse God of Thunder, and the God of Thunder has a hammer, I thought, what better day to throw emphasis on films from my favorite horror studio? I have to dedicate this opening salvo to British artist and fellow Hammer aficionado Simon Williams, who told me he'd never seen the film in question. Well, get ready, Simon: here's Captain Kronos, Vampire Hunter!

The titles. Director Brian Clemens still has the ring fashioned after the logo!
Written and directed by Avengers alum Brian Clemens in the waning days of Hammer Films' original era, Captain Kronos tells the story of a pot-smoking, sword-slinging former army man (Horst Janson, dubbed by Julian Holloway) turned hunter of the undead. He travels the countryside with his trusty sidekick, the hunchbacked Professor Hieronymus Grost (John Cater), a man knowledgeable of all things supernatural. As the picture opens, they pick up the beautiful gypsy Carla (Caroline Munro, among the best of Hammer's late-era leading lasses) en route to the village where Kronos' friend Dr. Marcus (John Carson) has summoned them.

Kronos: Man of action!
Marcus and Kronos renew acquaintances, and the doctor informs his friend and Grost about the village's problems, which Grost wastes no time in proclaiming the work of vampires. Therein is the first hint that something's different about this film from the rest of Hammer's oeuvre. "You see, Doctor," explains Grost, "there are as many species of vampire as there are beasts of prey. Their methods and their motive for attack can vary in a hundred different ways." Methods of their demise differ, too: "Some can only be destroyed by hanging or decapitation, or fire or water, or by other means." Hence, the vampire film is recast as mystery--not only of the vampire's true identity, but also of their weaknesses. It's a novel idea that, even today, remains not wholly explored.

Professor Hieronymus Grost philosophizes about the vampire.
The film vividly entreats us to visit this village not through the eyes of the vampire, as do the studio's series of Dracula films starring Christopher Lee and the Karnstein Trilogy of more recent vintage, but instead through the eyes of the vampire hunters. In particular, the entry point into Kronos' universe is clearly the raven-tressed Carla, who over the course of the narrative becomes the hero's lover. Munro, just 24 at the time of filming, oozed sex appeal in every scene she was in, to the point one wonders who could resist her charms! Carson's Dr. Marcus also provided the questions that Kronos and Grost could answer about vampirism, with he in turn providing them information about the village and its denizens. He pays the price for his own investigations, but he doesn't look quite so delicious as Munro when doing so.

Oh, Kronos will have her, all right. Caroline Munro in all her glory.
Once explanations are granted, the story really gets moving, with more grisly deaths due to old age, with bosomy young victims reduced to made-up old hags. This is a Hammer Film, after all! In the middle of the action Clemens introduces Shane Briant (then groomed to be "the next Peter Cushing") and Lois Daine as Paul and Sara Durward, son and daughter of a family whose deceased patriarch, Hagen, was "The Greatest Swordsman of His Time" according to his gravestone. (Pretty nifty to throw that into a film about a swashbuckling vampire hunter, no?) Their mother, Lady Durward (Wanda Ventham), is apparently in ill health and seldom interacts with any outside her kin. Could those kin be keeping a secret...?

The Durwards, with dear old dad in the painting behind them.
Clemens admirably texturizes the film, with Grost's unusual tests that prove a vampire is in their midst as well as Kronos' bedroom confessions of why he began hunting. The film's inarguable centerpiece is a remarkable, deliciously campy sequence in which Marcus discovers that he has become one of the life-sucking vampires Kronos seeks. Kronos subdues his friend and then he and Grost elaborately try to kill him. They impale him with a wooden stake. They tie a noose around his neck and hang him. They threaten to set him on fire. Isn't this fun?

John Carson's Dr. Marcus, shortly after he finds out the ugly truth.
Eventually, of course, they find out how to kill him (and it suddenly all makes sense why the hero is good with swords). With one mystery solved at last, Kronos sets off to find the master vampire, whom he suspects has a connection with the Durwards. Simply put, the connection isn't quite what any of the characters believed, and the revelation of the vampires behind it all leads to an epic (by Hammer standards) swordfight between Kronos and the main antagonist. At the end, the good Captain triumphs, kisses his girl Friday farewell, and rides off with Grost in tow toward another thrilling adventure.

Who's this? You'll have to watch the movie to find out...
Captain Kronos, Vampire Hunter is one of my very favorite films from Hammer, owing to its unique treatment of the vampire legend. I first saw the feature many years ago, on the USA Network, and loved it immediately. It's truly unique among the vampire subgenre. I mean, swashbuckling vampires? I could just see the further adventures of Kronos and Grost, traveling to new villages where altogether different breeds of vampires existed. It's too bad the planned trilogy of features never happened! I hear, too, that Kronos briefly headlined a British comic strip, but that rights issues prevented its publication beyond the first few stories. Perhaps the new Hammer might venture once more into the macabre realm of Kronos, doing battle with all manner of creatures of the night?


Ah, perchance to dream...

I'd love your thoughts on this new feature! Your suggestions for future Hammer Films to be spotlighted would also be horrendously (ahem) appreciated. delusionalhonesty [at] gmail[dot] com.

Captain Kronos, Vampire Hunter is available on Region 1 DVD from Paramount/CBS, and will soon be available again on Region 2 DVD from Icon Home Entertainment (September 12).

~G.

26.2.11

Something Hammer This Way Comes!

Now, for something completely different!

I've always had a fascination with horror films. Even when I was a little kid, and Lou Ferrigno could scare the hell out of me wearing green body paint, I still would peek my head above the covers and steal a peek. When I found out about a little film called Fright Night my cousin was going to see, I knew one day I would watch it. When I grew a little older, my parents got cable TV, and I saw Jim Hendricks as Commander USA, on the USA Network as he presented his "Groovie Movies." And thence, though I knew it not then, was instilled in me a love of that terrific subgenre called...Hammer Horror!

This poster hung on the wall in my dorm. No lie!
Fast forward a few years to college, and after having named Fright Night one of my favorite movies of all time, plus watching an incredible amount of horror films and TV series, I finally happened upon these films anew, and an obsession was born. I vaguely remembered the "Groovie Movies" I watched, like Frankenstein and the Monster From Hell, Vampire Circus, Frankenstein Must Be Destroyed, and the rare classic Captain Kronos, Vampire Hunter. I don't remember the exact time it happened--I remember starting to collect the films on VHS, but have since converted and expanded the collection to DVD and now Blu-Ray--but collecting the films got me through a difficult time with my health and emotional well-being. (Sounds trite, I know, but there are reasons I don't get into the details.)

During my junior and senior years, I voraciously watched Hammer film after Hammer film, even as I took a few film classes. I'd discuss some of the films with my professors outside class, although I never really had the chance to put my Hammer expertise to use in any class papers or projects. I remembered bits and pieces of various films, seldom the whole, but my knowledge grew and grew. I was amazed that my professors acknowledged the films, noteworthy for being the first major horror films from any studio released in full color. Also, I'm told they were among the first vampire films to do more than hint at the fangs piercing victims' throats. The films were scary in parts for what horrific bits they left to the imagination, which seems quaint by today's gory standards.

From the nine films in the Dracula cycle (six of which starred Christopher Lee, and five of which starred Peter Cushing), to the seven in the Frankenstein cycle, to the Mummy tetralogy, to the Karnstein trilogy, these are fine, if not award-worthy, films. The stars turned in terrific performances, from the well-recognized greats like Cushing and Lee, to lesser-known stars like Clifford Evans and Andrew Keir, to bit players like Michael Ripper, to the lusty Hammer women like Barbara Shelley, the Collinson sisters, Ingrid Pitt, and my personal favorite, Madeline Smith (whose visage adorns the cover of Marcus Hearn's book, Hammer Glamour). I can really say it's been a treat having watched all these films, and I have even more I haven't been able to watch (but am slowly getting to, bit by bit).

I do want to devote future entries of this blog to specific movies from Hammer, but for now I'd like to cut this bit short and turn the floor over to you, my followers! I know I mainly attract the comics crowd, but I do want to start to expand my demographic a little. Are you familiar with Hammer Horror? If so, feel free to share your stories! What are your favorite films by The Studio That Dripped Blood, and why? Which features would you like to see me devote some blog entries to? Which actors or actresses deserve my attention? Is Hammer the second coming of horror films after the Universal features of the '20s through the '40s? It's all up for grabs--I'm just throwing it out there for you to pick up!

And hey, in case you haven't heard: Hammer Films is back with the recent DVD/Blu-Ray release of 2010's horror smash, Let Me In. Take a look!

~G.