According to Marvel's October 2012 solicitations, made available today, The Incredible Hulk is being "canceled" with issue #15 of its current run by writer Jason Aaron. Putting aside the irony of the series being "doomed" with less-than-stellar reviews being wrapped up by a battle with Doctor Doom, we know in our bones that the company is just readying yet another relaunch of the series as part of their Marvel NOW! campaign that begins the same month.
Coincidentally--or maybe not so much--Hulk, the book that's been starring Thad Ross, the Red Hulk, concludes in August. The book has been sliding down the sales charts lately despite solid stories and artwork. Rumors have it that the series is being relaunched to coincide with Marvel TV's new animated series, Hulk and the Agents of S.M.A.S.H. I have my doubts, not the least of which is the fact that in spite of some critical acclaim, Greg Pak's Incredible Hulks series that did pretty much the same thing tumbled down those same sales charts month after month.
Below, I've assembled my own serious picks for the new Hulk series that's sure to debut sometime between November and February. I'm likely to be wrong, but I'm playing the odds here. Somebody could come out of left field (even moreso than some of my suggestions!) and steal the book away.
In order from best chance to worst:
1. Fred Van Lente (2-1) - The odds-on favorite. Mr. Van Lente has closely flirted with Hulk super-stardom, having been buddy-buddy with Greg Pak since the days of Incredible Hercules. He created AIM's Scientist Supreme Monica Rappaccini and her daughter Thasanee, better known as the not-so-new-anymore Scorpion. Peter David one-upped him and established Bruce Banner and "Nicky" had a college fling which just might explain where her dear daughter got her green hair. Since then, those characters have only grown closer to the Hulk. Add in that we're a month away from Fred and Tom Fowler's revision of the Hulk's origin in Hulk: Season One and I think you can see where I'm going with this. The book is poised to introduce a new villain into the Hulk's corner of the Marvel Universe, and it will also plant the Scientist Supreme smack dab into his origin. Why not capitalize on these aspects in the best way possible and bring Fred Van Lente into the fold as the regular series' new writer?
2. Matt Fraction (5-1) - The more radical, yet still safe bet. Matt Fraction has been on the periphery of the Hulk universe for some time, writing the 2011 Fear Itself event which turned the mighty monster into Nul, the Breaker of Worlds. Since then, he's been writing Defenders, showcasing the team of heroes the Hulk is most often associated with--that is, up to this summer's blockbuster film, what was it called...? Anyway, he has enough off-the-wall ideas in books like The Mighty Thor and The Invincible Iron Man that he could very well be right at home scripting the adventures of Earth's Mightiest Mortal. Certainly it would make crossovers between his book and Defenders far easier, which would be a major plus if for no other reason than Betty's over there as Red She-Hulk. I admit, I'd be very curious to see Fraction take over.
3. Jeff Parker (20-1) - The guaranteed hit among Hulk fans. Jeff Parker has been writing the Red Hulk's adventures for about two years now. During that time, he's made the book--in this fan's opinion--a whole lot better than it has any right being, and ludicrously better than Jason Aaron's series about the "real," green-skinned Hulk. Hulk fans have longed to see him cut loose on Bruce Banner the way he has with Thad Ross. The only problem is whether Marvel will see the ever-declining sales figures of Hulk as a reason why he shouldn't be made the main series' writer. While his stories win critical acclaim and old-time fans' hearts, they don't seem to be catching on with the larger contingent of fandom essential to long-term success. Giving Incredible Hulk to Parker would be a gamble, but one I'm certain could pay off, especially if he's teamed with an artist capable of putting asses in seats.
4. Kieron Gillen (40-1) - The longshot with the inside track. Kieron Gillen has been making a name for himself in the Fear Itself spinoff series Journey Into Mystery which many have described as Marvel's very own Sandman (DC's dark fantasy series of the 80s by Neil Gaiman). He's also begun plugging away at the X-Men and, as seen in the above cover, he's written the Red Hulk in battle with Colossus-as-Juggernaut. He's not a big name, but this Brit's star is rising, and as a friend said on Twitter, he "can mix bombastic superhero battles with intricate, character-driven stories, a MUST for Hulk writers." That certainly sounds like a ringing endorsement. Again, pick a stellar artist, and this might be the team to beat.
5. J.M. DeMatteis (100-1) - The diamond in the rough. J.M. DeMatteis hasn't been doing much at Marvel these days, but what he has written has been as awe-inspiring as any of his older work. Like Gillen and Fraction, he really hasn't done anything substantial with the Hulk, his work relegated to a couple of stories in the black-and-white Hulk! magazine and some Defenders work here and there. However, when I recently interviewed him for my Hulk retrospective book, he told me that ol' Greenskin was right in his wheelhouse, as the character dealt with the themes of duality so prevalent in his best work. Anyone who enjoyed his stories in Spectacular Spider-Man, Silver Surfer, and Man-Thing would certainly see where he's coming from. Although he's known for deeper, psychological tales, he's also capable of light humor like in Justice League International and Defenders alongside longtime friend Keith Giffen. He's the best pick on my whole list, and I wish he'd get this gig. Never say never, but if the miracle came that we ever got him on Hulk, we'd never regret it.
Your thoughts?
~G.
Showing posts with label Defenders. Show all posts
Showing posts with label Defenders. Show all posts
10.1.12
Looking Back, Looking Forward: Defenders #2 & Dead Man's Run #1, Reviewed
I had a great time at last weekend's Amazing Arizona Comic-Con, and can't wait to show everyone the photos and sketches from the event! Meantime, let's dig in and review one of last week's Marvel books (Defenders #2) followed by an advance review of Aspen's thrilling new miniseries, Dead Man's Run, whose first issue hits stores on January 18!
DEFENDERS #2 - Marvel Comics, $3.99
By Matt Fraction, Terry Dodson, Rachel Dodson & Sonia Oback
They say confession's good for the soul. Very well, then. I have this to confess: Defenders isn't the Non-Team™ of the past, which I loved. Two issues in, that much is abundantly clear.
On paper, all the hallmarks of the team's previous iterations are here: We've got Doctor Strange at the core of the group, aided by Namor the Sub-Mariner and the Silver Surfer. The Hulk even appeared in the first issue to provide the team's new raison d'etre (only to speak some horrendously un-Hulkish dialogue and leap away). Replacing the often-gruff Hulk on the team is his (ex?) wife, Betty Ross, having become the Red She-Hulk, whom Marvel's finest still can't manage to name with remote originality. Also aboard because it seems Strange can't be bothered to remember his martial arts training or whip up some teleportation spells is Daniel Rand'kai, the chop-socky Iron Fist, who's rich enough to ride everyone around in a private jet. And on this first adventure, they attempt to stop the Black Hulk, a remnant from the Fear Itself series, but are diverted by several wonderfully Silver Age-y concepts tossed in a blender. Prester John, wielder of the Evil Eye, now leads a group of the High Evolutionary's New Men to prepare for the creature's coming to Wundagore Mountain and the mystical treasure that awaits there.
All the while, I can't help but feel we've been through it all before.
Certainly Matt Fraction writes a great Iron Fist, as he co-wrote his series with Ed Brubaker some years ago. Certainly too there are enough madcap concepts to make Defenders go forward for a long, long time. Certainly the pieces of a "good" Defenders team are here in body. Unfortunately, the team is bereft of the soul that made it a moderate hit in its seventies incarnation.
Part of the trouble was glimpsed last month, when Strange enjoyed a fling with a co-ed who wore Clea's tights. (Okay, maybe not literally, but try looking at their designs and not imagining Doc's ex.) The Silver Surfer's more alien than he's been in some time (and is an absolute non-factor in this second tale). Namor's, well, his typical pompous self. The less said about the Hulk's cameo, the better. And instead of the sword-wielding Valkyrie and the millionaire playboy Nighthawk, we've got the Red She-Hulk (who now has an unusual transformation mechanism--after we were told she could change at will during "Heart of the Monster") and Iron Fist. (Okay, Danny's kind of an upgrade, you might argue, but man, Kyle Richmond was that team's heart.)
Also distracting--but terribly indulgent to all the "hardcore fans" out there-- are the little blurbs at the bottom of every story page. They either hint at upcoming storylines for this book, or are meaningless throwaway lines designed to pander to the base that's been reading for years. ("Werewolf By Night Nurse," I'm looking at you.) It's not the seventies anymore, and we shouldn't act like it is.
The only things that leave this book remotely enjoyable are the absolutely loony adventures the like of which Brian Michael Bendis wouldn't even touch, and the wonderfully stylish artwork of the Dodsons, who've been gone from the corners of the Marvel Universe I frequent for too long. Really, I'm hoping the series kicks up another few notches next month. The MacGuffin has been revealed, and the biggest battle of the series so far has begun. Will those two key points be enough to save this latest Defenders series from extinction?
Quick Verdict: Skip It.
DEAD MAN'S RUN #1 - Aspen Comics, $3.50
By Greg Pak, Tony Parker & David Curiel
Created by Ben Roberts
What a difference an issue makes!
Okay, it's true: I enjoyed Dead Man's Run #0 back in October. Ben Roberts' high-concept of a "jailbreak from Hell" was enticing, and that first story set up enough of the groundwork for me to be intrigued at what was coming next. All the while as I read the story, centered around Captain Frank Romero's descent into the realm for which he was a mere prison guard, I wondered how the events would play into the actual six-issue miniseries when it finally began. I knew that Sam Tinker, only briefly involved in the zero issue's events, would grow into the protagonist role, and that something would likely happen to his sister.
And yet, here I was, surprised at how much I outright loved Dead Man's Run #1 this month.
As Sam descends into the realm of the prison, I was immediately struck by the book's claustrophobic feel. It should feel that way, with the walls closing in, and an increasing sensation that there is no escape. Tony Parker succeeds in bringing writer Greg Pak's visions to uncanny life here, whether those visions include the reality of the outside world or the stark terror of the jailhouse's walls. His layouts are spot-on, and David Curiel appropriately uses colors to shift the tone--bright at the beginning, muted and haunting as time goes on.
I'm anxious to see what Pak has in store for Sam and Captain Romero, and that's in no small part due to the savvy pacing of the last issue and this one. The script is terrifically accessible, clearly defining the main characters in this insane world. Romero and Sam have a terrific conflict between them, and I'm sure it'll only grow when we finally discover what exactly has become of Sam's sister Juniper. And the jail itself, with its prisoners, guards, and their various abilities, is delightfully eerie, blending the best bits of the places Sam's supposed to be.
The only weak link in this entire episode comes early, when Pak suddenly flashes back to a time in Sam and Juniper's childhood. While it's perfectly all right to give a brief flashback--especially given the circumstance during which it arises--it's not drawn or colored any differently from the rest of the book. Aside from this quick faux pas, the narrative never falters and only grows more engaging with each page.
Quick Verdict: Buy It. This is a vision of Hell well worth the journey.
~G.
DEFENDERS #2 - Marvel Comics, $3.99
By Matt Fraction, Terry Dodson, Rachel Dodson & Sonia Oback
They say confession's good for the soul. Very well, then. I have this to confess: Defenders isn't the Non-Team™ of the past, which I loved. Two issues in, that much is abundantly clear.
On paper, all the hallmarks of the team's previous iterations are here: We've got Doctor Strange at the core of the group, aided by Namor the Sub-Mariner and the Silver Surfer. The Hulk even appeared in the first issue to provide the team's new raison d'etre (only to speak some horrendously un-Hulkish dialogue and leap away). Replacing the often-gruff Hulk on the team is his (ex?) wife, Betty Ross, having become the Red She-Hulk, whom Marvel's finest still can't manage to name with remote originality. Also aboard because it seems Strange can't be bothered to remember his martial arts training or whip up some teleportation spells is Daniel Rand'kai, the chop-socky Iron Fist, who's rich enough to ride everyone around in a private jet. And on this first adventure, they attempt to stop the Black Hulk, a remnant from the Fear Itself series, but are diverted by several wonderfully Silver Age-y concepts tossed in a blender. Prester John, wielder of the Evil Eye, now leads a group of the High Evolutionary's New Men to prepare for the creature's coming to Wundagore Mountain and the mystical treasure that awaits there.
All the while, I can't help but feel we've been through it all before.
Certainly Matt Fraction writes a great Iron Fist, as he co-wrote his series with Ed Brubaker some years ago. Certainly too there are enough madcap concepts to make Defenders go forward for a long, long time. Certainly the pieces of a "good" Defenders team are here in body. Unfortunately, the team is bereft of the soul that made it a moderate hit in its seventies incarnation.
Part of the trouble was glimpsed last month, when Strange enjoyed a fling with a co-ed who wore Clea's tights. (Okay, maybe not literally, but try looking at their designs and not imagining Doc's ex.) The Silver Surfer's more alien than he's been in some time (and is an absolute non-factor in this second tale). Namor's, well, his typical pompous self. The less said about the Hulk's cameo, the better. And instead of the sword-wielding Valkyrie and the millionaire playboy Nighthawk, we've got the Red She-Hulk (who now has an unusual transformation mechanism--after we were told she could change at will during "Heart of the Monster") and Iron Fist. (Okay, Danny's kind of an upgrade, you might argue, but man, Kyle Richmond was that team's heart.)
Also distracting--but terribly indulgent to all the "hardcore fans" out there-- are the little blurbs at the bottom of every story page. They either hint at upcoming storylines for this book, or are meaningless throwaway lines designed to pander to the base that's been reading for years. ("Werewolf By Night Nurse," I'm looking at you.) It's not the seventies anymore, and we shouldn't act like it is.
The only things that leave this book remotely enjoyable are the absolutely loony adventures the like of which Brian Michael Bendis wouldn't even touch, and the wonderfully stylish artwork of the Dodsons, who've been gone from the corners of the Marvel Universe I frequent for too long. Really, I'm hoping the series kicks up another few notches next month. The MacGuffin has been revealed, and the biggest battle of the series so far has begun. Will those two key points be enough to save this latest Defenders series from extinction?
Quick Verdict: Skip It.
By Greg Pak, Tony Parker & David Curiel
Created by Ben Roberts
What a difference an issue makes!
Okay, it's true: I enjoyed Dead Man's Run #0 back in October. Ben Roberts' high-concept of a "jailbreak from Hell" was enticing, and that first story set up enough of the groundwork for me to be intrigued at what was coming next. All the while as I read the story, centered around Captain Frank Romero's descent into the realm for which he was a mere prison guard, I wondered how the events would play into the actual six-issue miniseries when it finally began. I knew that Sam Tinker, only briefly involved in the zero issue's events, would grow into the protagonist role, and that something would likely happen to his sister.
And yet, here I was, surprised at how much I outright loved Dead Man's Run #1 this month.
As Sam descends into the realm of the prison, I was immediately struck by the book's claustrophobic feel. It should feel that way, with the walls closing in, and an increasing sensation that there is no escape. Tony Parker succeeds in bringing writer Greg Pak's visions to uncanny life here, whether those visions include the reality of the outside world or the stark terror of the jailhouse's walls. His layouts are spot-on, and David Curiel appropriately uses colors to shift the tone--bright at the beginning, muted and haunting as time goes on.
I'm anxious to see what Pak has in store for Sam and Captain Romero, and that's in no small part due to the savvy pacing of the last issue and this one. The script is terrifically accessible, clearly defining the main characters in this insane world. Romero and Sam have a terrific conflict between them, and I'm sure it'll only grow when we finally discover what exactly has become of Sam's sister Juniper. And the jail itself, with its prisoners, guards, and their various abilities, is delightfully eerie, blending the best bits of the places Sam's supposed to be.
The only weak link in this entire episode comes early, when Pak suddenly flashes back to a time in Sam and Juniper's childhood. While it's perfectly all right to give a brief flashback--especially given the circumstance during which it arises--it's not drawn or colored any differently from the rest of the book. Aside from this quick faux pas, the narrative never falters and only grows more engaging with each page.
Quick Verdict: Buy It. This is a vision of Hell well worth the journey.
~G.
25.7.11
ASAP Reviews: Hulk, Defenders, Alpha Flight, Ghost Rider & More
Yes friends, I've been remiss in reviewing! At the same time, I want to move upward and onward to bigger things (and yes, that includes starting to expand my sphere once more beyond comics!), so herewith is a whole mess of reviews of recent comics, dubbed my "ASAP Reviews"! They're not ASAP because of their timing--cruel joke, that--rather, they'll go against my usual verbosity by being As Short As Possible. Same rules as my previous "Quick Reviews" apply, as on top of a sentence or three about each book, you'll know whether I recommend you Buy It, Read It, Skip It or Burn It.
ALPHA FLIGHT #2 (By Greg Pak, Fred Van Lente, Dale Eaglesham, Andrew Hennessy & Sonia Oback) - Pak & Van Lente's super saga continues, with Fear Itself only a tertiary part of the story being told. Still solid art by Eaglesham & co., and the story comes into clearer focus with further developments involving the "Unity" party and historical elements involving all characters that may leave newbies lost. More familiar faces pop up in interesting ways, but overall, this one's of more interest to longtime Flight fans. Read It.
DEFENDERS: FROM THE MARVEL VAULT #1 (By Kurt Busiek, Fabian Nicieza, Mark Bagley, Andrew Hennessy & Chris Sotomayor) - With a storyline that just might rival the original 2001 Busiek/Larsen Defenders series for sheer, unbridled lunacy, this one-shot is just what the doctors (Banner & Strange) ordered. I'm a sucker for tales of the original four Defenders, and well, this is certainly one of those. With a plot that likely has nothing to do with its goofy script, file this one under "must be read to be believed." Even if it doesn't deserve a buy, the least you can do is Read It.
GHOST RIDER #1 (By Rob Williams, Matthew Clark, Sean Parsons & Rob Schwager) - Oh, look! It's another series where the protagonist is radically changed, his powers given to another, leaving said protagonist on a trek to regain his powers, or something like that. Matthew Clark's art is ssssssmokin', but I still can't get past the premise. Although not with this character, it's been done to death. Unusual that Zarathos is shown among the gallery of baddies at the beginning if Ghost Rider's supposed to be he, and incredible that nobody in editorial caught the snafu of including the wrong Lilith among the rogues on the same spread. Not giving up altogether, but for now I'll be nice and say just Skip It.
HULK #37 (By Jeff Parker, Elena Casagrande & Bettie Breitweiser) - Fear Itself has struck the Red Hulk's book at long last, and surprise surprise, it's not as intrusive to the overall storyline as one would have imagined. M.O.D.O.K., Zero/One and Black Fog join Tron Thing, I mean Angrir, Breaker of Souls in tormenting the red rampager. It would seem we already know the ending of the story from last month's Avengers #14, but who really knows? Casagrande's art is an unobtrusive change from Hardman's, and Parker's script is capable enough for the package to make me recommend you Read It.
"Identity Wars" in AMAZING SPIDER-MAN ANNUAL #38, DEADPOOL ANNUAL #1 & INCREDIBLE HULKS ANNUAL #1 (By John Layman, Lee Garbett, Juan Doe, Al Barrionuevo & more) - Chew's very own John Layman embarks three of Marvel's most popular characters on an adventure into an unusual alternate reality, with suitably disastrous consequences for all concerned. Delightfully Silver-Agey in feel, the storyline opens strong with the Spidey chapter, softens in the middle with Deadpool (whom I've never really enjoyed anyway), and finishes with some interesting variations on the Hulk. So I'm a sucker for a horny Hulk. (And that is SO not to be taken the way you think!) Just plain fun, but Deadpool prevents me from having you do more than Read It.
THE INCREDIBLE HULK & THE HUMAN TORCH: FROM THE MARVEL VAULT #1 (By Jack C. Harris, Karl Kesel & Steve Ditko) - None of these one-shots featuring old inventory stories has been more fun than this one, and it's almost exclusively due to two words: Steve Ditko. Kesel scripts adequately from Harris' original plot in a tale that teams the heroes against the Wingless Wizard. Ditko's art is a joy to behold and Kesel's inks are delicious. Kesel needs to remember that the Hulk has no problem conjugating verbs, but really, that's a small quibble. Everyone should rush out and Buy It already!
More later in the week, with reviews of Ed Brubaker & Steve McNiven's brand new Captain America #1 and Greg Pak & Mirco Colak's Red Skull: Incarnate #1 accompanying a review of Marvel Studios' newest summer blockbuster, Captain America: The First Avenger!
~G.
ALPHA FLIGHT #2 (By Greg Pak, Fred Van Lente, Dale Eaglesham, Andrew Hennessy & Sonia Oback) - Pak & Van Lente's super saga continues, with Fear Itself only a tertiary part of the story being told. Still solid art by Eaglesham & co., and the story comes into clearer focus with further developments involving the "Unity" party and historical elements involving all characters that may leave newbies lost. More familiar faces pop up in interesting ways, but overall, this one's of more interest to longtime Flight fans. Read It.
DEFENDERS: FROM THE MARVEL VAULT #1 (By Kurt Busiek, Fabian Nicieza, Mark Bagley, Andrew Hennessy & Chris Sotomayor) - With a storyline that just might rival the original 2001 Busiek/Larsen Defenders series for sheer, unbridled lunacy, this one-shot is just what the doctors (Banner & Strange) ordered. I'm a sucker for tales of the original four Defenders, and well, this is certainly one of those. With a plot that likely has nothing to do with its goofy script, file this one under "must be read to be believed." Even if it doesn't deserve a buy, the least you can do is Read It.
GHOST RIDER #1 (By Rob Williams, Matthew Clark, Sean Parsons & Rob Schwager) - Oh, look! It's another series where the protagonist is radically changed, his powers given to another, leaving said protagonist on a trek to regain his powers, or something like that. Matthew Clark's art is ssssssmokin', but I still can't get past the premise. Although not with this character, it's been done to death. Unusual that Zarathos is shown among the gallery of baddies at the beginning if Ghost Rider's supposed to be he, and incredible that nobody in editorial caught the snafu of including the wrong Lilith among the rogues on the same spread. Not giving up altogether, but for now I'll be nice and say just Skip It.
HULK #37 (By Jeff Parker, Elena Casagrande & Bettie Breitweiser) - Fear Itself has struck the Red Hulk's book at long last, and surprise surprise, it's not as intrusive to the overall storyline as one would have imagined. M.O.D.O.K., Zero/One and Black Fog join Tron Thing, I mean Angrir, Breaker of Souls in tormenting the red rampager. It would seem we already know the ending of the story from last month's Avengers #14, but who really knows? Casagrande's art is an unobtrusive change from Hardman's, and Parker's script is capable enough for the package to make me recommend you Read It.
"Identity Wars" in AMAZING SPIDER-MAN ANNUAL #38, DEADPOOL ANNUAL #1 & INCREDIBLE HULKS ANNUAL #1 (By John Layman, Lee Garbett, Juan Doe, Al Barrionuevo & more) - Chew's very own John Layman embarks three of Marvel's most popular characters on an adventure into an unusual alternate reality, with suitably disastrous consequences for all concerned. Delightfully Silver-Agey in feel, the storyline opens strong with the Spidey chapter, softens in the middle with Deadpool (whom I've never really enjoyed anyway), and finishes with some interesting variations on the Hulk. So I'm a sucker for a horny Hulk. (And that is SO not to be taken the way you think!) Just plain fun, but Deadpool prevents me from having you do more than Read It.
THE INCREDIBLE HULK & THE HUMAN TORCH: FROM THE MARVEL VAULT #1 (By Jack C. Harris, Karl Kesel & Steve Ditko) - None of these one-shots featuring old inventory stories has been more fun than this one, and it's almost exclusively due to two words: Steve Ditko. Kesel scripts adequately from Harris' original plot in a tale that teams the heroes against the Wingless Wizard. Ditko's art is a joy to behold and Kesel's inks are delicious. Kesel needs to remember that the Hulk has no problem conjugating verbs, but really, that's a small quibble. Everyone should rush out and Buy It already!
More later in the week, with reviews of Ed Brubaker & Steve McNiven's brand new Captain America #1 and Greg Pak & Mirco Colak's Red Skull: Incarnate #1 accompanying a review of Marvel Studios' newest summer blockbuster, Captain America: The First Avenger!
~G.
24.7.11
Knee-Jerk Reactions: The "New" Incredible Hulk, Defenders (UPDATED)
(Now heavily updated with links to more "Defenders" info & some added detail on both series!)
In a fit of "breaking news" from San Diego Comic-Con 2011, it's now been officially announced that writer Jason Aaron (Wolverine, Punisher MAX, Scalped) and artist Marc Silvestri (X-Men, Cyberforce) have teamed for the brand-new, relaunched Incredible Hulk series that begins in October. The series spins out of both the conclusions of Greg Pak's Incredible Hulks finale, "Heart of the Monster," and Matt Fraction & Stuart Immonen's Fear Itself, which saw the green-skinned rampager as wielder of one of the hammers of The Worthy and re-designated Nul, Breaker of Worlds.
Please, if you don't want to be spoiled with thoughts of the new status quo, I direct you to look elsewhere, because this post will be filled with 'em. Caveat emptor!
Here's one of the first covers by Silvestri:
You're really not seeing things here. In an interview released at Newsarama today, Aaron confirmed that due to unknown circumstances, the Hulk and Banner have again been split into separate beings at the start of his series. It has happened four times before--back in the early seventies thanks to Raoul Stoddard's Gammatron (Incredible Hulk #130-131), again in the eighties when Banner became Captain Universe (Hulk Annual #10) and when Hulk was immersed in Doc Samson's nutrient bath (Incredible Hulk #315-323), and still again when the Marvel heroes fought Onslaught (Onslaught: Marvel Universe), so it remains to be seen just how different the separation will be this time around.
Aaron appears to hint that the Hulk, not Banner, is the hero of this story, and that his tale leads to "the biggest, craziest throwdown in Marvel history" during his second arc. These ideas would appear to follow directly from Greg Pak's tenure and specifically the period where Banner was briefly cured of being the green goliath. If you remember in Incredible Hulk #603, Banner posited that the real reason the Hulk was born was to protect the world from his own very dangerous intellect. It looks as though Aaron is ready to fully capitalize on Pak's groundwork from the last five years, which in concept makes me a happy Hulk fan.
The first arc, "Hulk Asunder," apparently begins with Banner and Hulk already split. We don't know how, but it's hinted that neither the end of "Heart of the Monster" nor Fear Itself actually shows the split--it's all yet to be revealed over the course of several arcs in Incredible Hulk. At the beginning, the Hulk is the leader of all the creatures on the Mole Man's Monster Isle, and Banner is, well, a little mad. At least Aaron admits that events always serve to reunite the two, so we'll eventually again have a united Hulk/Banner, in one corporeal form if not of one mind (because where's the fun in that?).
I'll say this: a physically separated Banner and Hulk is a logical step in light of the iterations of the characters we've seen in recent memory. We've seen the different personalities--savage, Fixit, and the more contemporary Green Scar/"Gravage"--over the last few years thanks to Pak and Jeph Loeb. We've seen Hulk for prolonged periods without Banner, and Banner for prolonged periods without the Hulk. What we're about to see is a matured--relatively speaking--Hulk, "on-camera" with a Banner who has grown considerably in recent years and who opts to use his incredible intellect in ways he hasn't in far too long.
That said, I certainly hope that we don't see a repeat of John Byrne's tenure, with Banner assembling a new group of Hulkbusters chasing after ol' greenskin. At the very least, Byrne's planned Act-One finish would seem to be off the table as a conclusion to this storyline.
Aaron cites years of Hulk stories as inspiration, ranging from the TV series, to the stories of Byrne, Peter David, Greg Pak, and a surprising choice: Bruce Jones. Jones is especially reviled around much of Hulk fandom for his overlong conspiracy arc and his decompressed storytelling style that left the big green guy out of the series for issues at a time. However, he's a guilty pleasure to me, and Aaron has a point about Jones "[making] the Hulk a monster again," and if that run hooked him in anew, then maybe it led to his keeping in touch during Greg Pak's magnificent run.
On the art front, it's certainly interesting to note that Marc Silvestri, the head of Top Cow, a leading imprint at Image Comics, is the only announced artist. While he's made a name for himself over there, he has contributed to a select few one-shots and specials for Marvel over the last few years. This series marks his first regular monthly work since the Hunter/Killer limited series in 2005-2006, and his first regular work at Marvel since his work on the four-part "Here Comes Tomorrow" story in Grant Morrison's New X-Men. (And if you don't, it's his first regular monthly work since the eighties' Uncanny X-Men!) His work has been seen on the Hulk only once before, on the variant cover to Darkness/Hulk from 2004.
Upon seeing his preview pages, it's obvious that both Aaron and Silvestri have been heavily influenced by Greg Pak's "Planet Hulk" series, with giant monsters and strange landscapes, so that can hardly be a bad thing.
Keep in mind this is only the second-ever Incredible Hulk #1 (the other relaunches have both been adjectiveless). And we still have never had an Incredible Hulk #7, 8, 9, 10 or 11. So there's your fun fact for the day. And if you're not already sold on this project, well, courtesy some images from the panel, take a look at the return of a rather classic logo for green-genes:
Word has it the variant covers for Incredible Hulk #1 are by Dale Keown and Neal Adams. Look for more news as it becomes available both on this very site and out there on the greater internets.
Also of note is the following image, which confirms the existence of a new Defenders series, spinning out of the end of Fear Itself:
The series will be written by Fear Itself's very own Matt Fraction and drawn by the husband-and-wife team of Terry & Rachel Dodson. From the above image, we can see that in addition to the previously-hinted members (Doctor Strange, Iron Fist, Silver Surfer and Red She-Hulk), Namor the Sub-Mariner will also be among the group, conjuring still more echoes of the original seventies non-team.
According to a CBR interview with writer Matt Fraction, the series will be developed "Marvel-style," which is plot-first, then pencils, then script. Fraction also intends to bring in other characters than are on the first issue's cover, and describes the series as superheroes meet The X-Files meets Fringe, with storylines evoking Steve Ditko's Doctor Strange epics and Jim Starlin's Warlock series at turns. As one who's enjoyed some of Fraction's work (including The Immortal Iron Fist co-written with Captain America scribe Ed Brubaker) and frowned upon other titles in his oeuvre (Thor and much of Fear Itself), I'm obviously hoping for more of the style he used in the former, and less of the latter. With the Hulk sending the heroes on their first mission (again, see that interview) they've hooked me through the first arc, at least. Time to start another longbox of Defenders...
Not much more is known about the new Defenders team, except that the villain of the first arc will be the "Ebon Hulk." Whether this appellation refers to the Dark Hulk who appeared during a previous Defenders reunion in Incredible Hulk #370-371 or a wholly new creature remains unknown. We'll see the answer to that question, and many more, in months to come.
What d'you think, sirs?
~G.
In a fit of "breaking news" from San Diego Comic-Con 2011, it's now been officially announced that writer Jason Aaron (Wolverine, Punisher MAX, Scalped) and artist Marc Silvestri (X-Men, Cyberforce) have teamed for the brand-new, relaunched Incredible Hulk series that begins in October. The series spins out of both the conclusions of Greg Pak's Incredible Hulks finale, "Heart of the Monster," and Matt Fraction & Stuart Immonen's Fear Itself, which saw the green-skinned rampager as wielder of one of the hammers of The Worthy and re-designated Nul, Breaker of Worlds.
Please, if you don't want to be spoiled with thoughts of the new status quo, I direct you to look elsewhere, because this post will be filled with 'em. Caveat emptor!
Here's one of the first covers by Silvestri:
You're really not seeing things here. In an interview released at Newsarama today, Aaron confirmed that due to unknown circumstances, the Hulk and Banner have again been split into separate beings at the start of his series. It has happened four times before--back in the early seventies thanks to Raoul Stoddard's Gammatron (Incredible Hulk #130-131), again in the eighties when Banner became Captain Universe (Hulk Annual #10) and when Hulk was immersed in Doc Samson's nutrient bath (Incredible Hulk #315-323), and still again when the Marvel heroes fought Onslaught (Onslaught: Marvel Universe), so it remains to be seen just how different the separation will be this time around.
Aaron appears to hint that the Hulk, not Banner, is the hero of this story, and that his tale leads to "the biggest, craziest throwdown in Marvel history" during his second arc. These ideas would appear to follow directly from Greg Pak's tenure and specifically the period where Banner was briefly cured of being the green goliath. If you remember in Incredible Hulk #603, Banner posited that the real reason the Hulk was born was to protect the world from his own very dangerous intellect. It looks as though Aaron is ready to fully capitalize on Pak's groundwork from the last five years, which in concept makes me a happy Hulk fan.
![]() |
| Not quite sure about the blood on his hands... |
The first arc, "Hulk Asunder," apparently begins with Banner and Hulk already split. We don't know how, but it's hinted that neither the end of "Heart of the Monster" nor Fear Itself actually shows the split--it's all yet to be revealed over the course of several arcs in Incredible Hulk. At the beginning, the Hulk is the leader of all the creatures on the Mole Man's Monster Isle, and Banner is, well, a little mad. At least Aaron admits that events always serve to reunite the two, so we'll eventually again have a united Hulk/Banner, in one corporeal form if not of one mind (because where's the fun in that?).
I'll say this: a physically separated Banner and Hulk is a logical step in light of the iterations of the characters we've seen in recent memory. We've seen the different personalities--savage, Fixit, and the more contemporary Green Scar/"Gravage"--over the last few years thanks to Pak and Jeph Loeb. We've seen Hulk for prolonged periods without Banner, and Banner for prolonged periods without the Hulk. What we're about to see is a matured--relatively speaking--Hulk, "on-camera" with a Banner who has grown considerably in recent years and who opts to use his incredible intellect in ways he hasn't in far too long.
That said, I certainly hope that we don't see a repeat of John Byrne's tenure, with Banner assembling a new group of Hulkbusters chasing after ol' greenskin. At the very least, Byrne's planned Act-One finish would seem to be off the table as a conclusion to this storyline.
Aaron cites years of Hulk stories as inspiration, ranging from the TV series, to the stories of Byrne, Peter David, Greg Pak, and a surprising choice: Bruce Jones. Jones is especially reviled around much of Hulk fandom for his overlong conspiracy arc and his decompressed storytelling style that left the big green guy out of the series for issues at a time. However, he's a guilty pleasure to me, and Aaron has a point about Jones "[making] the Hulk a monster again," and if that run hooked him in anew, then maybe it led to his keeping in touch during Greg Pak's magnificent run.
On the art front, it's certainly interesting to note that Marc Silvestri, the head of Top Cow, a leading imprint at Image Comics, is the only announced artist. While he's made a name for himself over there, he has contributed to a select few one-shots and specials for Marvel over the last few years. This series marks his first regular monthly work since the Hunter/Killer limited series in 2005-2006, and his first regular work at Marvel since his work on the four-part "Here Comes Tomorrow" story in Grant Morrison's New X-Men. (And if you don't, it's his first regular monthly work since the eighties' Uncanny X-Men!) His work has been seen on the Hulk only once before, on the variant cover to Darkness/Hulk from 2004.
Upon seeing his preview pages, it's obvious that both Aaron and Silvestri have been heavily influenced by Greg Pak's "Planet Hulk" series, with giant monsters and strange landscapes, so that can hardly be a bad thing.
Keep in mind this is only the second-ever Incredible Hulk #1 (the other relaunches have both been adjectiveless). And we still have never had an Incredible Hulk #7, 8, 9, 10 or 11. So there's your fun fact for the day. And if you're not already sold on this project, well, courtesy some images from the panel, take a look at the return of a rather classic logo for green-genes:
![]() |
| Image courtesy BleedingCool.com |
Word has it the variant covers for Incredible Hulk #1 are by Dale Keown and Neal Adams. Look for more news as it becomes available both on this very site and out there on the greater internets.
Also of note is the following image, which confirms the existence of a new Defenders series, spinning out of the end of Fear Itself:
The series will be written by Fear Itself's very own Matt Fraction and drawn by the husband-and-wife team of Terry & Rachel Dodson. From the above image, we can see that in addition to the previously-hinted members (Doctor Strange, Iron Fist, Silver Surfer and Red She-Hulk), Namor the Sub-Mariner will also be among the group, conjuring still more echoes of the original seventies non-team.
According to a CBR interview with writer Matt Fraction, the series will be developed "Marvel-style," which is plot-first, then pencils, then script. Fraction also intends to bring in other characters than are on the first issue's cover, and describes the series as superheroes meet The X-Files meets Fringe, with storylines evoking Steve Ditko's Doctor Strange epics and Jim Starlin's Warlock series at turns. As one who's enjoyed some of Fraction's work (including The Immortal Iron Fist co-written with Captain America scribe Ed Brubaker) and frowned upon other titles in his oeuvre (Thor and much of Fear Itself), I'm obviously hoping for more of the style he used in the former, and less of the latter. With the Hulk sending the heroes on their first mission (again, see that interview) they've hooked me through the first arc, at least. Time to start another longbox of Defenders...
Not much more is known about the new Defenders team, except that the villain of the first arc will be the "Ebon Hulk." Whether this appellation refers to the Dark Hulk who appeared during a previous Defenders reunion in Incredible Hulk #370-371 or a wholly new creature remains unknown. We'll see the answer to that question, and many more, in months to come.
What d'you think, sirs?
~G.
15.7.11
From Arm'Chedon To Imperfect Futures (& Fear, Too!)
(Incredible Hulks #632 Review & More)
Hulk news roundup, kids! Somewhere in here, I'll even stuff in a review of Incredible Hulks #632 for good measure, because I love you guys so much. In order to give you the most news for your mouseclick, I'm experimenting with format. If you don't like my plethora of gobbledygook, you'll let me know and we'll be back to where we began the next time, yeah? (Can I get a "Hell yeah"?)
First, may I present the two covers to the October-shipping Hulk #42, one of which is by Patrick Zircher, and the variant by Greg Pak's former Incredible Hulk partner-in-crime, Ariel Olivetti, which itself conjures a comparison to...well, just you look! (Click for larger versions.)
Olivetti's definitely giving us a Rulk-tastic homage to Walt Simonson's thrilling cover to The Mighty Thor #337. But a "50th Anniversary Variant"? Not the Hulk's anniversary, certainly--that isn't until next year. Might Marvel be pulling a fast one and celebrating the 50th anniversary of the Marvel Age of Comics that began with Fantastic Four #1 in November 1961? Seems logical. Wait and see! (Although it does strike me as strange that we'll be entering the Hulk's 50th anniversary year, 2012, with no Hulk book centered on Bruce Banner, unless solicitations change.)
Still, are we getting a hint as to Gabriel Hardman's Hulk successor with the main cover being by issue #36's superstar artist Zircher? Next week we'll have our answer, Hulk fans...
Speaking of Bruce Banner, this little gem hit stores on Wednesday:
The Incredible Hulks #632 - Marvel Comics, $2.99
By Greg Pak, Paul Pelletier, Danny Miki & Morry Hollowell
Picking up where they left off three weeks ago, Greg Pak & Paul Pelletier masterfully craft another entry in this final stage of The Incredible Hulks. Whereas last issue centered on two villains in the classic Hulk mold (i.e. baddies that love to punch and hit for pretty much no other reason than to do so), this issue reintroduces perhaps the biggest threat of Peter David's tenure short of the Maestro himself: Arm'Chedon, the alien warlord first known as Armageddon. Like Bi-Beast and Wendigo, he too has been summoned thanks to the wishing well at the center of "Heart of the Monster," and he provides the most direct focus on the Hulk's family to date.
Y'see, back in the mid-1990s, the Hulk killed his son, Troh-Maw, and Arm'Chedon pursued the green goliath for vengeance. He tried to use the Hulk's strength to resurrect Troh-Maw, but his power was too much and as soon as he lived again, he died again. Hence it makes dramatic sense for the villain to target the Hulk's own family in his quest for vengeance, and the results are, unsurprisingly, incredible.
How angry do Arm'Chedon's actions make the Hulk. Probably as angry as you're thinking, which brings all Pak's themes stretching back to World War Hulk into the narrative. This time, however, he has his family and friends to back him up, which ratchets up the tension. Seldom have the Hulk's struggles been so clear and so well-depicted. Thanks to Pak's grasp of the character, and the combination of Pelletier's brilliant artwork and Hollowell's verdant hues, I can safely say this is what the Hulk's all about.
Like the Hulk himself, Pak's finale gets stronger with every issue, after an already-impressive start. For twists, turns, and a taste of everything that's made the Hulk great over the last five decades, "Heart of the Monster" is where it's at. Miss it at your peril. Buy It!
Moving onward, some of you, my constant readers, have asked me to review Fear Itself; after all, the seven-issue limited series features the ever-lovin' Hulk as Nur, the Breaker of Worlds, wielder of one of the hammers that marks him as The Worthy. It's true that I have reviewed the first two issues, so why wouldn't I review the subsequent issues?
Maybe because it's not as much of a Hulk story as it seemed in the beginning? While we did get a few decent pages starring ol' greenskin in issue #3, the following story released last week featured him for all of four panels. (Okay, five, counting the preview page at the end.) No? How about I voice my ever-growing disenchantment with the limited series as not being an event that's easily digested by itself, like, say, the original Crisis On Infinite Earths or even Secret Wars II or The Infinity Gauntlet? Whereas event miniseries of earlier vintage could be read by themselves with all the vital parts contained therein (and you could read the crossovers to truly "enhance" the overall experience), series like Fear Itself and its DC Comics counterpart FlashPoint seem to mainly exist to drive the larger event throughout the comics' mainstream lines, with many important plot points seemingly dealt with only in crossovers in which I have painfully little interest (and even less cash to spend on).
Remember when I complained that nowhere in the main series was it shown how the Absorbing Man obtained his hammer? And how Attuma was never shown obtaining his? These are inexcusable lapses in storytelling that wouldn't have made it outside the planning stages if this were Jim Shooter's Marvel. And they're just the beginning. Writer Matt Fraction, who has been a decent writer in The Invincible Iron Man and especially alongside Ed Brubaker in The Immortal Iron Fist, only hints at large developments and then hastily refers readers to this issue or that issue where we'll find out what "really" happens when characters X and Y meet/talk/fightfightfight. At best it's an annoyance, and at worst it's just sloppy soap-opera writing (where you pause for dramatic effect and pick up later, leaving the resolution to said plot to the audience's imagination).
Mainly, Fear Itself is designed to function as the next big thing for Marvel's two movie titans of the summer, Captain America and Thor. It's an odd blend that never really gels due to the lack of basis in the histories of these characters leading up to this year. Heck, remember when several characters got the power of the Juggernaut a few years back ("The Eighth Day")? I guess that event wasn't big enough or remarkable enough, so Marvel's doing it again, this time with magical hammers like Thor. And they're giving characters nobody cares about these hammers just to throw a spotlight on them and show fans they haven't forgotten about them. And look! There's the Hulk! And the Thing! And yep, Juggernaut, too!
No psychological underpinnings in the main series. All action, action, action. No pathos. Tony Stark drinks again so he can make a deal with Odin? I can't be compelled to care.
Yes, I'm reading the main series, and I'm also picking up The Deep, Alpha Flight, Spider-Man, and whatever Hulk appearances are out there, including the forthcoming Hulk Vs. Dracula story. I'm also picking up the series I read anyway that just happen to have the crossover run through it. But I'm not going out of my way and picking up a lot of series to get the "full scope" of the event. I know better. Besides, my pocketbook would probably come to life and kill me if I did.
And that, my friends, leads us to the last set of bullet points on my slideshow. Following up on Wednesday's blog entry, where I assessed Red She-Hulk's involvement in an upcoming Marvel event that starts around Christmastime, this picture popped up on the 'nets today:
To date, we've seen five "It's either in you or it's not" teasers, and this one may be the most telling. One thing is sure: all of the images are not from new art, but instead culled from previous stories. (Iron Fist is from David Aja's cover to The Immortal Iron Fist #6; Dr. Strange, the second image, a riff of an old Paul Smith piece; Red She-Hulk, the third image, from Ed McGuinness art in Hulk #22; Silver Surfer, the fourth image, from Claudio Castellini's 90s work; and this one, from Frank Cho's cover to Dark Reign: The List - Hulk.)
What is the point of these teases? "It's either in you or it's not." Of all the words in the five images, what word occurs in almost every one? That's easy: "Defender." As in, the Defenders, the classic non-team originally comprised of Dr. Strange, the Sub-Mariner, the Hulk, and the Silver Surfer. Intriguingly, the only image in which the word "Defender" does not appear is the Hulk! His image contains the word "Offender" instead, which conjures memories of Jeph Loeb & Ed McGuinness' Defenders revival during the current Hulk series, in which the Red Hulk assembled a group of evildoers called, yup, the Offenders.
Is Marvel trying to make the Hulk go bad? It would make sense if the rumors we've heard about the "Avengers" movie were true, that the Hulk is being set up as the big bad guy for the film. But even that doesn't make sense. The Hulk, if anything, is Marvel's poster child for being misunderstood and engaging in fights with other heroes based on little to no provocation. Even World War Hulk featured a Hulk full of righteous indignation at the Illuminati who dared to exile him into space. Maybe they weren't directly responsible for the death of a million Sakaarians, but if they hadn't exiled him, none of what happened would ever have occurred. Even the few other times the Hulk might have been classified a "villain" in the mainstream 616 are few and far between, from his time in "Ghost of the Future" masquerading as the Maestro; to Apocalypse's selecting him to be his Horseman, War; to the actual Maestro; to today's Fear Itself event.
We might as well start asking now what happens at the end of Fear Itself to trigger a fight between a new team of Mighty Defenders and The Strongest One There Is.
And we better also start asking whether this is the Loeb/McGuinness super-project. (I'm hoping not.)
What the heck does "Onyx" have to do with the Hulk, anyway?
More thoughts soon. What d'you think, sirs?
~G.
First, may I present the two covers to the October-shipping Hulk #42, one of which is by Patrick Zircher, and the variant by Greg Pak's former Incredible Hulk partner-in-crime, Ariel Olivetti, which itself conjures a comparison to...well, just you look! (Click for larger versions.)
Olivetti's definitely giving us a Rulk-tastic homage to Walt Simonson's thrilling cover to The Mighty Thor #337. But a "50th Anniversary Variant"? Not the Hulk's anniversary, certainly--that isn't until next year. Might Marvel be pulling a fast one and celebrating the 50th anniversary of the Marvel Age of Comics that began with Fantastic Four #1 in November 1961? Seems logical. Wait and see! (Although it does strike me as strange that we'll be entering the Hulk's 50th anniversary year, 2012, with no Hulk book centered on Bruce Banner, unless solicitations change.)
Still, are we getting a hint as to Gabriel Hardman's Hulk successor with the main cover being by issue #36's superstar artist Zircher? Next week we'll have our answer, Hulk fans...
Speaking of Bruce Banner, this little gem hit stores on Wednesday:
The Incredible Hulks #632 - Marvel Comics, $2.99
By Greg Pak, Paul Pelletier, Danny Miki & Morry Hollowell
Picking up where they left off three weeks ago, Greg Pak & Paul Pelletier masterfully craft another entry in this final stage of The Incredible Hulks. Whereas last issue centered on two villains in the classic Hulk mold (i.e. baddies that love to punch and hit for pretty much no other reason than to do so), this issue reintroduces perhaps the biggest threat of Peter David's tenure short of the Maestro himself: Arm'Chedon, the alien warlord first known as Armageddon. Like Bi-Beast and Wendigo, he too has been summoned thanks to the wishing well at the center of "Heart of the Monster," and he provides the most direct focus on the Hulk's family to date.
Y'see, back in the mid-1990s, the Hulk killed his son, Troh-Maw, and Arm'Chedon pursued the green goliath for vengeance. He tried to use the Hulk's strength to resurrect Troh-Maw, but his power was too much and as soon as he lived again, he died again. Hence it makes dramatic sense for the villain to target the Hulk's own family in his quest for vengeance, and the results are, unsurprisingly, incredible.
How angry do Arm'Chedon's actions make the Hulk. Probably as angry as you're thinking, which brings all Pak's themes stretching back to World War Hulk into the narrative. This time, however, he has his family and friends to back him up, which ratchets up the tension. Seldom have the Hulk's struggles been so clear and so well-depicted. Thanks to Pak's grasp of the character, and the combination of Pelletier's brilliant artwork and Hollowell's verdant hues, I can safely say this is what the Hulk's all about.
Like the Hulk himself, Pak's finale gets stronger with every issue, after an already-impressive start. For twists, turns, and a taste of everything that's made the Hulk great over the last five decades, "Heart of the Monster" is where it's at. Miss it at your peril. Buy It!
Moving onward, some of you, my constant readers, have asked me to review Fear Itself; after all, the seven-issue limited series features the ever-lovin' Hulk as Nur, the Breaker of Worlds, wielder of one of the hammers that marks him as The Worthy. It's true that I have reviewed the first two issues, so why wouldn't I review the subsequent issues?
Maybe because it's not as much of a Hulk story as it seemed in the beginning? While we did get a few decent pages starring ol' greenskin in issue #3, the following story released last week featured him for all of four panels. (Okay, five, counting the preview page at the end.) No? How about I voice my ever-growing disenchantment with the limited series as not being an event that's easily digested by itself, like, say, the original Crisis On Infinite Earths or even Secret Wars II or The Infinity Gauntlet? Whereas event miniseries of earlier vintage could be read by themselves with all the vital parts contained therein (and you could read the crossovers to truly "enhance" the overall experience), series like Fear Itself and its DC Comics counterpart FlashPoint seem to mainly exist to drive the larger event throughout the comics' mainstream lines, with many important plot points seemingly dealt with only in crossovers in which I have painfully little interest (and even less cash to spend on).
Remember when I complained that nowhere in the main series was it shown how the Absorbing Man obtained his hammer? And how Attuma was never shown obtaining his? These are inexcusable lapses in storytelling that wouldn't have made it outside the planning stages if this were Jim Shooter's Marvel. And they're just the beginning. Writer Matt Fraction, who has been a decent writer in The Invincible Iron Man and especially alongside Ed Brubaker in The Immortal Iron Fist, only hints at large developments and then hastily refers readers to this issue or that issue where we'll find out what "really" happens when characters X and Y meet/talk/fightfightfight. At best it's an annoyance, and at worst it's just sloppy soap-opera writing (where you pause for dramatic effect and pick up later, leaving the resolution to said plot to the audience's imagination).
Mainly, Fear Itself is designed to function as the next big thing for Marvel's two movie titans of the summer, Captain America and Thor. It's an odd blend that never really gels due to the lack of basis in the histories of these characters leading up to this year. Heck, remember when several characters got the power of the Juggernaut a few years back ("The Eighth Day")? I guess that event wasn't big enough or remarkable enough, so Marvel's doing it again, this time with magical hammers like Thor. And they're giving characters nobody cares about these hammers just to throw a spotlight on them and show fans they haven't forgotten about them. And look! There's the Hulk! And the Thing! And yep, Juggernaut, too!
No psychological underpinnings in the main series. All action, action, action. No pathos. Tony Stark drinks again so he can make a deal with Odin? I can't be compelled to care.
Yes, I'm reading the main series, and I'm also picking up The Deep, Alpha Flight, Spider-Man, and whatever Hulk appearances are out there, including the forthcoming Hulk Vs. Dracula story. I'm also picking up the series I read anyway that just happen to have the crossover run through it. But I'm not going out of my way and picking up a lot of series to get the "full scope" of the event. I know better. Besides, my pocketbook would probably come to life and kill me if I did.
And that, my friends, leads us to the last set of bullet points on my slideshow. Following up on Wednesday's blog entry, where I assessed Red She-Hulk's involvement in an upcoming Marvel event that starts around Christmastime, this picture popped up on the 'nets today:
To date, we've seen five "It's either in you or it's not" teasers, and this one may be the most telling. One thing is sure: all of the images are not from new art, but instead culled from previous stories. (Iron Fist is from David Aja's cover to The Immortal Iron Fist #6; Dr. Strange, the second image, a riff of an old Paul Smith piece; Red She-Hulk, the third image, from Ed McGuinness art in Hulk #22; Silver Surfer, the fourth image, from Claudio Castellini's 90s work; and this one, from Frank Cho's cover to Dark Reign: The List - Hulk.)
What is the point of these teases? "It's either in you or it's not." Of all the words in the five images, what word occurs in almost every one? That's easy: "Defender." As in, the Defenders, the classic non-team originally comprised of Dr. Strange, the Sub-Mariner, the Hulk, and the Silver Surfer. Intriguingly, the only image in which the word "Defender" does not appear is the Hulk! His image contains the word "Offender" instead, which conjures memories of Jeph Loeb & Ed McGuinness' Defenders revival during the current Hulk series, in which the Red Hulk assembled a group of evildoers called, yup, the Offenders.
Is Marvel trying to make the Hulk go bad? It would make sense if the rumors we've heard about the "Avengers" movie were true, that the Hulk is being set up as the big bad guy for the film. But even that doesn't make sense. The Hulk, if anything, is Marvel's poster child for being misunderstood and engaging in fights with other heroes based on little to no provocation. Even World War Hulk featured a Hulk full of righteous indignation at the Illuminati who dared to exile him into space. Maybe they weren't directly responsible for the death of a million Sakaarians, but if they hadn't exiled him, none of what happened would ever have occurred. Even the few other times the Hulk might have been classified a "villain" in the mainstream 616 are few and far between, from his time in "Ghost of the Future" masquerading as the Maestro; to Apocalypse's selecting him to be his Horseman, War; to the actual Maestro; to today's Fear Itself event.
We might as well start asking now what happens at the end of Fear Itself to trigger a fight between a new team of Mighty Defenders and The Strongest One There Is.
And we better also start asking whether this is the Loeb/McGuinness super-project. (I'm hoping not.)
What the heck does "Onyx" have to do with the Hulk, anyway?
More thoughts soon. What d'you think, sirs?
~G.
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